Offering the information in a format such as this can be so very helpful. The reason I emphasize this is that I often teach rather difficult mathematical concepts and one thing I have found over almost 40 years of tutoring is that people learn in different ways. I had a specific reason for coming to this page and before even watching the video, your synopsis below gave me most of what I was looking for in text. Too many tutorial makers assume far too much, again probably because of familiarity with the material, but taking a shallow approach can lead a new person into early mistakes or habits that can be hard to reverse later on as their development deepens.ģ) As you note often, new people can simply get lost in all the settings and options available and that really takes away from the lesson. The beauty is that you actually show energy when showing a technique instead of a monotone "lets get this over" type of approach very appealing and VERY helpful.Ģ) Technique treatment depth is critical. I simply like your voice style and I doubt you will ever change it as it is so consistent. That is a compliment, not a complaint! Your English is easy for this, granted native English speaker, but hearing impaired person to understand easily. The things I like best are things I know you will continue but which some others seem to simply forget over time perhaps it is simply too much familiarity with the subject but for someone searching for the skill, they NEED the added depth,ġ) Your speaking voice is superb except for when I am really tired and it kind of tries to lull me into a kind of artistic trance. Let's all admit that on occasion, even if we are the best at what we do such as a Monsieur David Revoy, a little enthusiasm can make a long day a bit easier. ![]() I realize that saying great job to you is ok but is not exactly offering anything other than enthusiasm. You can draw with this one on the surface of a shaded object, glaze skin shading to inject a bit of blood under the skin, add dirt or paint big casted shadows. White is equal to full transparency with multiply. Shadows, stains, dirt, glazing, it's one of the king of the blending mode in digital-painting, the darkening-only one Multiply. In Krita : HSY > Color and HSL > Color HSL Multiply I also use Color (HSY) with grey to desaturate zone, or do hue corrections. The result is often dull, and greish, but that's easy to fix with another pass of the overlay blending mode. I use the color blending mode to do a first pass of colorization over my grisaille. This propriety help me to shift values in the distance, and split different grounds on my artwork.Ĭhanging the color is the obvious mission of the blendings modes 'colors'. Lighten will paint only if the value on the canvas is darker than the value on your brush. ![]() Note: fun bug in Gimp since 10 years, 'overlay' is similar to 'Soft light'. 'Soft Light' is a more subtle variation of 'Overlay'. Overlay is also known for it's conveniency on layer to 'overlay' a texture, or a pattern over a surface. It can be used also to boost colors and give an object the first role in your composition. Painting wih dark tones will intensify and vivid the area. But over, and under this grey, Overlay will switch to a brightening or a darkening blending mode. If you select a grey 50% it will do nothing. ![]() Overlay is a conditionnal blending mode : it combine two blending mode in one. It has advantage of a stronger saturation and contrast over other brightening blending mode (Linear Dodge, Addition, Screen).Ĭontrast, vivid, boost colors here is my primary usage of my favorite blending mode : Overlay. Light, glows, coronas, lazers, neons this is the blending mode I use to manage all my light effect. Each blending modes in the subcategories can join the top favorite list by checking the checkbox next to them. This list contains favorites on top, and subcategories to unfold under. The default one is named 'Normal', press this button and you'll get a list. Where I can find it ? In Krita 2.9, the blending modes applied to your active brush is displayed on a button in the top toolbar. I'll aslo keep the list minimal with five one. I'll also not show formulas and math : it's a painting tutorial. ![]() I'll not perform here a cold listing of all blending modes as I saw on other tutorials. I'll not show all the blending-mode as other tutorials do. Goal : This video tutorial ( on top ) aims to offer to the digital-painter pratical tips to use blending-modes on his brushes. Knowing a set of useful blending modes can assist and ease your work for painting specific rendering. In short a blending mode is a math formula telling your software how to mix two colors : the ones on your canvas and the one on your brush. whaat? In digital-painting, you can paint with 'blending modes' applied on your brush.
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